Only in the Inverness Courier
The Inverness Courier
2 September, 2010
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Published:  16 January, 2009

GLASGOW will get a lesson in the art of Highland fiddle playing as part of the city's 16th annual Celtic Connections music festival, which gets under way this weekend.

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Among the local artists making the journey down the A9 will be two of Scotland's leading fiddle players Duncan Chisholm and Bruce MacGregor.

They, together with MacGregor's Blazin' Fiddles bandmate Iain MacFarlane from Glenfinnan, will be paying tribute to their fiddle teacher Donald Riddell, who farmed at South Clunes seven miles west of Inverness.

The three fiddlers have already recorded a tribute to their old teacher in the album "A Highland Fiddler", but the album was predated by a couple of live shows for the Highland Festival.

Now "A Highland Fiddler" is making its Glasgow debut at St Andrew's in the Square in just over a week on Saturday 24th January and is already a sell out.

"The one thing we would all say we got from Donald was a pretty good idea of technique," said Chisholm who was a pupil of Riddell for eight years.

"He wasn't a very strict man, he was a very caring teacher, but you had to do it his way up until the point when he decided to let you fly the nest. I remember him saying: 'You've spent the last eight years playing like Donald Riddell. Now you've got to go and play like Duncan Chisholm.'"

Riddell died in 1992, by which time Chisholm was already making a name for himself with the Celtic rock band Wolfstone. Chisholm does not know if his former mentor ever heard Wolfstone, but does not think Riddell would not have disapproved of his pupil's new direction.

"Ultimately he was a musical man and I'm sure he would have seen it as a step forward for the music. Although he was a strict disciplinarian about the music, he had a very open mind as well," Chisholm added.

Many more of Riddell's former pupils continue to play, demonstrating his continuing influence on fiddle playing in the Highlands and beyond.

Chisholm calculates that Riddell was seeing around 50 students a week when he was a pupil, with some of them also going on to musical careers, such as Inverness fiddler Sarah-Jane Summers of the trio Fribo, who released her debut solo album last year.

One important aspect of Riddell's teaching, Chisholm believes, was that his music was grounded in the traditions of both west and east Scotland.

One of Riddell's own teachers was Alexander Grant Battan, the best friend of the great Aberdeenshire fiddler James Scott Skinner, but Riddell was also influenced by the West Coast tradition and pipe playing. A piper himself, he served as Pipe Major for the Lovat Scouts throughout World War II.

Though he appreciates the grounding in the fiddle technique that learning the Scott Skinner repertoire of strathspeys and reels gave him, Chisholm confessed: "I was always more into the pipe marches and Gaelic airs. That meant more to me than the tunes of Scott Skinner, but I was lucky to get both of them in the teaching."

Wolfstone's Duncan Chisholm.

Another plus for Chisholm about next weekend's concert is that unlike most of his other musical outlets, it allows him to play along with fellow fiddlers.

"I can play with Bruce and Iain and get totally different things from playing with either of them," he said.

"I just love playing with both of them and it's always a pleasure."

This will not be Chisholm's only Celtic Connections date.

On Thursday 29th January he will take his regular role in backing Gaelic singer Julie Fowlis on a double bill with Canadian band La Bottine Souriante.

"It's Julie's first full gig in her own right in the main auditorium in the Royal Concert Hall. It's a big step for her and the perfect venue as well, so I'm really looking forward to it," Chisholm added.

Looking further ahead, Chisholm will accompany Fowlis on a trip to Paris next month, but will also be coming closer to home in June on his annual Scottish tour with singer Ivan Drever.

The tour will also give him a chance to promote solo album "Farrar", recently named Album of the Year at the Scottish Trad Awards, though surprisingly given the eight year gap between it and its predecessor, "The Door of Saints", Chisholm is already thinking about a follow up.

"It's almost a year since I recorded 'Farrar'. Throughout that period I was thinking what I wanted to do next," he said.

"The album was very traditional and just exactly what I wanted to put out, but I don't want to put out the same album as it were. I've got very definite ideas about the next album and want to start working on it straight away."

2009 is a significant year for Chisholm as it marks Wolfstone's 20th anniversary, though he expects the big celebration for the band will come next year, Wolfstone will be busier at festivals in Spain and Italy in 2009.

"I have the perfect balance in the music that I play," Chisholm commented.

"My solo career is very important, with Julie I get to play beautiful music with a great band and Wolfstone is my first love, but I get so many different musical things out of all three. There's never a dull moment."



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